We have arrived on the island!
Tey uses a fictionalised version of one of the Hebrides, and given her description of the hotel that Grant stays in, it is easy to see why she chose to do this.
THE wallpaper consisted of far too heavy roses hanging from a far too slender trellis-work, and the insecure character of the whole thing was increased by the fact that the paper not only hung away from the wall but moved about in the draught. It was not readily obvious where the draught came from because the small window was not only tightly shut but had patently been tightly shut since its manufacture and original insertion in the house structure about the beginning of the century. The little swing mirror on the chest of drawers lived up to its promise in the first respect but not in the second. It would swing with ease amounting to abandon through the whole circle of three hundred and sixty degrees; but it did not reflect anything to any noticeable degree. A last year’s cardboard calendar folded in four kept its gyratory talents in check, but nothing of course could be done to increase its powers of reflection.
Two of the four drawers in the chest were capable of being opened. The third would not open because it had lost its knob, and the fourth because it had lost the will.
Above the black iron fireplace with its frill of red crinkled paper brown with age was an engraving of a partially clothed Venus comforting a quite unclothed Cupid. If the cold had not already eaten into his bones Grant thought that this picture would have finished the process.