Pride and tenderness now struggled, and at length made a compromise together. She would see Raymond, since destiny had led him to her, and her constancy and devotion must merit his friendship. But her rights with regard to him, and her cherished independence, should not be injured by the idea of interest, or the intervention of the complicated feelings attendant on pecuniary obligation, and the relative situations of the benefactor, and benefited. Her mind was of uncommon strength; she could subdue her sensible wants to her mental wishes, and suffer cold, hunger and misery, rather than concede to fortune a contested point. Alas! that in human nature such a pitch of mental discipline, and disdainful negligence of nature itself, should not have been allied to the extreme of moral excellence!
Some lady - Evadne (probably a personification of either any classical goddess or a symbol for about every woman who's ever met Byron) pining for Raymond, a.k.a. Byron.
While the condensed story of the Shelley-Byron Set is fascinating for its time, the drawn out description that Shelley gives of their relationships - as portrayed through the characters of this book - can only have been interesting for Shelley herself, and maybe for some of her close friends.
I get that she wrote this as part of dealing with the grief of loss over the deaths of both Shelley and Byron, I really do, but there are limits to my interest in the group when it comes to looking for a plot / storyline in this book.
Bring on the damn plague!